Sunflowers grow | beneath cliffs, a din heard in the mouth small sound of roots deep, stems bracing waves that crash high like a hand held to the face with eyes closed pauses all of it here, some will arrive by wandering but it is dark and so much unknown to wander freely or consider to stay. We see only their crowns as they breach the unseen, their beginning is close, just a step into a place the sun holds without ever saying, hello/ we could know them: their bright faces petals a happy yellow and lovely, framed in what some would say is joy but they are shaking their heads slowly no, yet again with each rising and setting, they follow from the place they would leave if only these deep roots inch by inch would pull free - Did you know stems grow in the night to the west so the head can sway to the east at sunrise. The stem guides like stars in the night, desert sky are persistent or pollen on a honeybee is small easy to miss but irrefutable/ they, are guided far round cold corners wide, clementine eye, happy and content/ how the heart keeps the mind stays the heart to keep on and the sound in this hidden place, brushing upon damp walls: the wind at the end of its journey over wave and accidentally in this hollow is song like woman who whispers, do not let me break, please but same way, rounds corners and rejoins the sky- wandering you may slide cliffside into deep ocean, not seeing it is a cliff where waves will slam the mark of this place, and will swim near a place dry but dark and cold when no one is around to see you. Wild sunflower grow, long stemmed and leave, I would say this old cave- eventually. Eye following the sun even as it sets with you, no madness or sad keeping of memory but growing round cold walls into the quiet beauty one day, of knowing nothing of the previously known.
Tag: pantheism
Credo.
I believe in the soft, distracted smile
turning my way and the girl who
draws vines on her white Keds
in permanent marker.
I believe in stately trees and turning
pages beneath their boughs
with searching hands.
The adept hand signing, “hello”
when there are no words to be heard
or knitting colorful yarns on
telephone poles. I believe
in gardenias that bloom between
the alley and the sun, the sounds
of Cohen from someone’s kitchen.
I believe god
is held in the mouths
of philosophers and children:
that beliefs are dangerous without
love and art is an act of goodwill.
I believe in ethics and the
responsibility of leadership but even more
in the resiliency of the human spirit
like a ghostly pounding heart
as we sleep.
I believe in the spaces between:
in pauses and think-backs and could be’s,
especially in “perhaps” and
I believe in the dog’s paw
that smells like sugar cookies
now that we are family.
I believe we should be careful
of words like, “inconvenience.”
I believe in the storytellers and song-
makers and especially in grandmothers
watching mothers turn the page.
I believe in simplicity of
needs: the hand that must be
held and the mouth that
must be fed. And, the
needs that go untended,
the boy clutching his teddy
as he dreams.
I believe in the untenable
breadth of the universe
and the starlit dust
inbetween it all. I believe
‘god’ is in the trees
and the wave tumbling
towards the shore and
the eyes of strangers.
many worlds
All the reasons the heart couldn’t form,
a humble stem/kitsch in your mother’s attic:
there’s a hundred hours left
still,and the sun won’t really set
just sway into someone
a world away,
looks like you, looks like I,
holds a star like space holds/
limitless.
Even how love, was the baby frog I kept
in my pencil case to bring
along to school,
‘little buddy,’ because the softness
of empathy is there before words
get in the way
but only realized when we talk about it.
It’s likely not many notice
the beauty of someone young
holding their space fully/
or how outside of god
we hold the words of many gods
we have loved in our memory:
I still will sing
at the end of the world
walk into storms the same way
a ghost can only be ghostly.
Eat the cake! I really think it is fine
and to love peculiar things
like tiny frogs and funny-nosed sloths:
because love informs when chaos
gentle at the gate is hot
and all-too-ready.
when the war ended
It’s a sad story,
the drowning man
in a cloud of fists
the first thing in morning
woken thinking of yesterday
and swinging wide like a boxer
finds the finish when he
splays on the mat, hair
absurd and wet for
just a fight in his memories
of fire and rush
of the way the sun
shocked when he woke seeking
like missiles seek below waters
a mid-night butterfly to take,
hunts
way of shore: soft
sand and dawn,
the cellar
where Geppetto carves a heart/
and how still is absence
of war. stillness
pulsing like a star grown
old or the shock of gardenias
in a scorching heat,
not a violin struck with flint
or the way a man can wail,
through city streets across
smelly kitchens and
mothballs clung to old coats
dark roads and alleys
in living of dying-
the flower unfolds
its self.
I think the man
questions if he can
swim in dark waters
and how will he meet
the sun, swinging
with those
wildcat fists? how
he could, like a shock
of gardenias, breathe
life of so-called dying;
make a home with
an artist in the cellar
where he is waiting
on the shore.
In Due Proportion 