snowy flowers

some grow in shadow under snow

shaking off ice incidentally as
it forms to suffocate

any warmth—born into
the bones of their ancestors know,

to shiver in the cold. how

cracks in the dirt divide a world
where rains have run off steep slopes,
the way roots cannot reach another
through hardened places

just the long edge between us

like is the friend who came back to me
already gone and saying, goodbye

too late, evidence of something coming
i could not stop, the same

his mother said it was my fault

because i was his best friend and
my mom told me i did not love her

these small deaths—
i now have a petal that will not
open. from below snow, how

like my mother and her father
like my mother’s mother

who wrote secret books between
making lunch and shelling peas for dinner

pushing the binding to
undo later by another—i felt it

in the cool wind of giants some
neither too warm nor too unkind

driving to work, walking to school

laying upon the ground in a
puffy jacket beside me

and i am bare, until un-gripping
the hands that had to let me go,

the warmth of others burned
like a question buried.

***

a person cannot hold a
defining edge to trace the line

without falling far
being almost one and the same

on thin margins—born
flat-footed and dreamy if
like myself—and maybe

how i decided to just fall
on one side and then the other

sometimes almost too far, and
would stitch each part i found that fit

the best and the worst of things
within my knowledge like
peter pan with his shadow—

that kept trying to run.

maybe like this a person
can escape the bindings that

limit, or was it in seeing
the true face of my mother

a little broken but still beautiful
without the anger,

who tried to give me anything
but what she had been given

who removed her own leaves
to be free of memory—

and could not get enough of
the sun anymore,

until she was only a stem
unable to hold, and

would smile, a
little aggressively

even as she fell. she

did make my heart, too
same as my father taught me
the depth of warmth, and

the necessity of careful thinking

and i took this warmth
like a blanket for any i

might run into being half
a snowy flower, or would

curl up in my own mouth—
too sad to be still

and push

as i wanted for her, the way
she taught me to do

like i wished for my grandmother

and maybe even my grandfather
they called a monster.

***

i define now, on what some

might say is too soft an edge
of what is the truth and what

is a story we tell to make
the truth pretty like/

a flower, too small to be picked
placed in the vase forgotten
next to sunday’s paper

too unusual to be left alone

by those who would wear them
in their hair for a day or two

and what an adventure, how

through hard or powder snow
they keep pushing,

learning what is warm in
how hard they must shake

and the way light looks
a little dark beneath the layers,

and then suddenly, the sun.

Collisions

(According to NASA, as it flies, a plane is in the center of four forces. Lift (upward force) and thrust (forward push, provided by a propeller) get a plane into the air. Gravity and drag (air resistance, which is friction) try to pull the plane down and slow its speed. A plane must be built so that lift and thrust are stronger than the pull of gravity and drag by just the right amount).

Safety feels like freedom to some little girls. Closet-time playtime: I’ve got Pacman on my Gameboy, wearing dad’s NY city marathon shirt, listening to Losing My Religion on my Discman. I crave the solidity of being closed in, sitting in my closet, happy as a cub in a tree hollow. I’m five years old, I’m nine years old, I’m fourteen years old, people talk about nuclear bombs in post-Cold War tension and I lay in bed awake thinking I hear their jolly whistle coming down/ this

loud world: mom’s yelling before the sun’s up; she’s moving from room to room like Pacman looking for the cherries. She’s always losing stuff, even me. Dyes her hair blonde and can’t find me when I’m sitting in the backseat of our car. Says, ‘I need a Xanax’ after it, and I feel bad. Hyperventilating, covers my mouth in the grocery store line, because the man in front of us coughs, stage whispers, “he might have AIDS-” I ask Mickey Mouse if I’m sick and need to go to the doctor, little girl imaginary friends, develop

a phobia of flying on March 22, 1992: “Ice on wings causes USAir Fokker 28 to crash into Flushing Bay, killing 27 people.” I was coming in for landing looking down at the strip of runway jutting out into the water when I saw some thing that didn’t belong. Looked like one of those smiling dolphins bobbing above the water for fish at the aquarium. And, then there was the live news coverage as we walked down the concourse, 27 people killed. I feel my life stacked like a deck of cards, think of the baby that had been sitting a few seats in front of me. Think of babies in the mouths of dolphins. I’m 9 years old, closed in

four lines wide and two lines high- that’s all there is to a closet. Could run a finger up the length of outer space and find the edge. I can imagine eternity here, and it feels like safety; or how in the many-worlds theory, no matter what you’ve chosen that day, somewhere you are living the perfect life. Little girl locks of brown hair curling down my cheeks don’t remind me that mom doesn’t like people like dad really. Because, grandpa told mom’s sister she looked like a black girl with her curls, would have to sit at the back of the movie theater when she was little. I don’t feel it yet, singing with daddy Doris Day’s, Que Sera Sera at the top of our lungs on sunny, Saturday mornings-

(The shape of an airplane is important in overcoming drag. For example, the nose of a plane is rounded so it can push through the air more easily. The front edge of each wing is rounded too. An airplane built like a railroad boxcar just wouldn’t fly very well.) I have

my mother’s propensity for panic. The first time back on a plane after USAir Fokker 28 is not so bad, but gradually and then suddenly I am overcome by the grip of fear in my chest every time I step onto one of these airborne sea creatures, a full-blown phobia by the time I’m eighteen. I take to the road on family holidays driving three days straight. Binge on cheesecake brownies and a Xanax like mom, convinced I’m at the end of my days. I am,

25 years old when my dad dies from esophageal cancer. Talks about being like his favorite superhero, Spiderman, when he hears the sounds of a fire truck. Checks in with me, “do I have to go save them?” again and again. Ammonia from his failing liver is flooding the brain. Tells me I am love. Looks at me, free from the gnawing pain for once and eyes lit from within, “You are love,” he whispers and won’t look away. Just keeps telling me, like he’s proclaiming me queen of something, “You are Love.” When I wasn’t

in the closet, I hid between the pages of a book. I open the door and leave that drab, suburban house in Orlando, Florida. Walk away from everything. I walk for hours sometimes, book tucked beneath my elbow, usually about elves or other universes. Or, I carry my dad’s old SLR camera and take a photo of my doll sitting on some industrial structure on the side of the road. Cold metal burning in the Florida sun. Put her in the dirt and take another photograph. Thrust and push, I am turning fifteen years old now. Graduating from my closet, writing poetry on napkins in the car instead: she can’t hear me, she won’t see me. But, one day I’m going to grow up and be a pilot.

I’m flying to the funeral alone, the fear trying to claw its way up through the heavy weight of grief. Loud world: sucking noise of air pressurizing, bouncing of wheels on the tarmac, the aching in my eyes from the reflection of sun on white clouds. The grief knifing my throat for a way out, scratching like a rabid cat. My father loved nothing in this world more

than he loved to fly, and rising like Maya said always starts out harder than ashes floating all gracefully into the air. No, more like those baby birds bouncing down cliffsides as they learn to fly. That’s how it was for me anyway. And, dad has so much wonder lighting the gold in his hazel eyes until my anger at his leaving turns into anger at this fear. I look at the curve of the wing of the plane directing gravity to get below. And, in the span of minutes, the clouds become almost beautiful instead of terrifying: my throat aching for gravity to keep getting below this plane and lift it higher and higher above everything until there is only the unobstructed line between here and where I want to go. Exhilaration

is a seed. (A plane flies through the air by continually pushing and pulling the surrounding air downward). It seems like some children have to start first in a closet. Seems like children have to overcome all that drag and gravity, waiting for the day they have enough experience in themselves to pilot their own plane. Waiting in their little ecosystem, a small miracle in itself, until that day they wake up flying. A closet, the dead-end streets of our youth; the way we use music and art and love like the curve of a plane’s wing to lift us above it all. There is so much freedom to be had.

At the end he looked like a Buddha, big belly, and I think, of course he does, this man loved the book Zen and the Art of Motorcycle Maintenance and maintained The Little Prince was a story to live by. You are responsible for that which you tame, he tells me. I think of how he loves my mother. I think of how he was responsible for me. We both tamed by him. I think of squishing ants in our driveway back in Miami when I’m six years old: television screen distant from reality and there is his face suddenly, open and concerned replacing the static of ignorance, and I know I’ve done something unkind. That sensitivity unfolds like the petals of night-blooming cactuses, somewhere unseen. He instructs me carefully on empathy: he has consulted with several books and probably chatted with his priest beforehand. I am enchanted by this (the shape

of an airplane is important in overcoming drag).

tread the line

a prayer,

this fog before
the dawn, crunchy
leaves so light
on the old elm

ignites wildfire
in the blue hour

dry | scattered
who couldn't
let go

and awakened
full but still thirsty
before the sun

could release
the moon's edge.

Like a river

effortlessly, truth
takes many turns

and hand-over-hand in
darkness, thoughts:
soot and smoke
on the water,

pray a choice
of stillness
despite.

And of freedom, a
life not owned
by shadow,
shake

instead like all things
shocked must do

as all living is shocked

until nothing of old
leaves any ember
that may spark/

even hope
and the cruelty
or the way
smiling

can be a rebellion

when loved have gone-
pray any fire,
a peacemaker

if the rebellion
must go on.

And for the wailing cat
hungry mouth
and mangy
coat

too messy
to grow love
or to have a
warm hand

upon it,
pray, too;

for daisy chains,
crowns on would-be
princesses and princes,
for baby frogs in pencil
cases, and lizards
clamped on
sweaty
ears

because
the children's play
is survival

and to smile at the abyss

at its ferocity, then
because we are fierce,
the same.

But, pray especially
for paper dolls

torn with rough edges,

the square pegs
in round holes

that they know
who they are
and are curious

of what they are not-

a rain held as it grows
having been brave
to accept their
beauty,

and that of others/
knowing need.

Pray for the thirst
the blue hour
sparks

every line of every
hill, clear as the
moon’s edge

when the sun so close
will soon arrive
or soon go,

a time to shake free.